12th KAUNAS BIENNIAL. AFTER LEAVING | BEFORE ARRIVING
Vorstellung und Diskussion mit curator Daniel Milnes und Kunstler Robertas Narkus
Dienstag 9. April 2019
ab 20 Uhr
Am Dienstag, dem 9. April um 20 Uhr lädt der Kunstverein München zum Launch der 12. Ausgabe der Kaunas Biennial ein: AFTER LEAVING | BEFORE ARRIVING wird am 7. Juni 2019 in Kaunas, Litauen eröffnet. Kurator Daniel Milnes wird die Ziele der Ausstellung und die Geschichte der Stadt vorstellen sowie die Rolle der Biennale für die lokale kulturelle Landschaft skizzieren. Vor diesem Hintergrund führt Milnes ein Gespräch mit dem litauischen Künstler Robertas Narkus über dessen neu entstehendes Projekt für die Kaunas Biennial. Im Anschluss moderiert Post Brothers, Kurator am Kunstverein München, eine Diskussion mit den Teilnehmern über die aktuelle Lage der zeitgenössischen Kunst in Litauen.
For its 12th edition, Kaunas Biennial has assembled a team of five emerging and international curators: Elisabeth Del Prete (London), Daniel Milnes (Berlin), Lýdia Pribišová (Bratislava), Neringa Stoškutė (Kaunas), and Alessandra Troncone (Naples). The exhibition explores the journey as a metaphor in the context of the burgeoning cultural identity of a city with a complex past. Over the course of recent history, Kaunas has been caught in a state of political flux, transitioning from one regime to the next. Even during its prosperous twenty-year phase as capital city after the Polish annexation of Vilnius between 1919 and 1940 Kaunas remained in waiting, set to regain its status as second city after the liberation of the former capital. What followed, however, was occupation by the Soviet Union, then Nazi Germany, reoccupation by the Soviets, and finally the declaration of Lithuanian independence in 1990 with the country becoming a member state of the European Union in 2004. This chain of events restored not only Lithuanian national sovereignty but also the status of Kaunas as second city with the stubborn moniker “temporary capital”. This perpetual change has shrouded the city in a collective amnesia fueled by discrepant lived experiences across the different generations. Now, looking forward to its tenure as European Capital of Culture in 2022, Kaunas seeks to carve out a unified path to the future on its own terms, mythologizing its troubled past in order to write new narratives for the present. AFTER LEAVING | BEFORE ARRIVING takes the story of Kaunas as its point of departure to examine broader notions of passage, transition, reorientation and repair in the context of individual experience and intergenerational structures. For his contribution to the biennial, Robertas Narkus will appropriate disused landing lights from Vilnius Airport to create a sculptural pavilion that will serve as a social hub in the central Ramybės Park for the duration of the Kaunas Biennial. Narkus will discuss the challenges involved in initiating socially-driven projects and his plans for Kaunas.
Robertas Narkus (b. 1983, Vilnius) describes his practice as ‘management of circumstances in the economy of coincidence’. He utilizes a variety of techniques, strategies, technologies and collaborations, bringing together the ordinary and the absurd to explore notions of sovereignty, economy, desires and obsolescence. Narkus is one of the founders of Vilnius institute of Pataphysics and experimental engineering camp eeKūlgrinda. In 2016 he also established Autarkia, an artist run space/artist day center in Vilnius. Recent exhibitions include solo shows at: Editorial project space Vilnius, Contemporary Art Center Vilnius, KIM? Riga, “Neverland” gallery Amsterdam and Juliette Jongma gallery Amsterdam.
Daniel Milnes (b. 1989, Leeds) works as assistant curator and publications manager on projects for Hamburger Bahnhof – Museum für Gegenwart – Berlin and is co-curator of the forthcoming 12th Kaunas Biennial. First studies in Slavonic languages and literature continue to inform Milnes’ curatorial practice which investigates how the feeling of disorientation underlying contemporary existence globally intertwines with the specific sociopolitical realities of nation-building in the New East. From 2017 to 2018 Milnes was part of the curatorial team at Haus der Kunst, Munich. Recent exhibitions include a solo show with Agnieszka Polska titled “The Demon’s Brain” at Hamburger Bahnhof; the thematic exhibition “Blind Faith”, a solo exhibition with Polina Kanis, and a collation of video works entitled “Again and Again”, all at Haus der Kunst.
12th Kaunas Biennial
AFTER LEAVING | BEFORE ARRIVING
Curators: Elisabeth Del Prete, Daniel Milnes, Lýdia Pribišová, Neringa Stoškutė, Alessandra Troncone
Consulting curator: Lewis Biggs
Biennial Team: Kotryna Žemaitytė (Director), Neringa Stoškutė, Monika Žaltauskaitė-Grašienė, Gintare Žaltauskaitė
Locations: Kaunas Train Station, Kaunas Picture Gallery, Ramybės Park (Serenity Park), various sites in public space.
Bas Jan Ader (Netherlands, 1942)
Jasmina Cibic (Slovenia, 1979) (new commission)
Céline Condorelli (United Kingdom, 1974)
Johanna Diehl (Germany, 1977) (new commission)
Ieva Epnere (Latvia, 1977)
Aslan Gaisumov (Chechnya, 1991)
Inga Galinytė (Lithuania, 1988) (new commission)
Alberto Garutti (Italy, 1948)
Francesca Grilli (Italy, 1978)
Laura Grisi (Italy, 1939–2017)
Christian Jankowski (Germany, 1968) (new commission)
Laura Kaminskaitė (Lithuania, 1984) (new commission)
Taus Makhacheva (Russia, 1983)
Adrian Melis (Cuba, 1985)
Artūras Morozovas (Lithuania, 1984) (new commission)
Deimantas Narkevičius (Lithuania, 1964)
Robertas Narkus (Lithuania, 1983) (new commission)
Tamu Nkiwane (United Kingdom, 1990) (new commission)
Amalia Pica (Argentina/United Kingdom, 1978)
Karol Pichler (Slovakia, 1957)
Andrej Polukord (Lithuania, 1990) (new commission)
Ghenadie Popescu (Moldova, 1971)
Naufus Ramírez-Figueroa (Guatemala, 1978) (new commission)
Mykola Ridnyi (Ukraine, 1985) (new commission)
Balint Szombathy (Serbia, 1950)
Gediminas and Nomeda Urbonas (Lithuania, 1966, 1968)
12th KAUNAS BIENNIAL. AFTER LEAVING | BEFORE ARRIVING